Astrology, once a scholarly tradition, binds astronomical phenomena to events of the human world. The Last Cosmology reveals acclaimed senior Japanese photographer Kikuji Kawada’s preoccupation with the cosmos, and his fleeting empathy for the abating custom of divination. Inspired by the apocalyptic sky-scapes of the painter Emil Nolde, Kawada photographed abnormal and calamitous weather conditions – gales that configure coiling cloud-patterns, electrical storms, or rain striking glass. Captured between 1980 and 2000, the work is part of The Catastrophe Trilogy, a chronicle which ties together the dramas of the skies with the end of two historical eras on earth: the Showa Era in Japan, ending with the death of the Emperor in 1989 and 20th century’s close. Kawada says: “I imagine the era and myself as an implicitly intermingling catastrophe… I want to spy on the depths of a multihued heart that is like a Karman vortex.” Born in the Ibaraki Prefecture in 1933, Kawada co-founded the VIVO collective in 1959 with Akira Sato, Eikoh Hosoe, Ikko Narahara, Akira Tanno and Shomei Tomatsu. He was one of 15 artists selected for New Japanese Photography, a landmark exhibition at MoMA, New York in 1974. Kawada received a lifetime achievement award from the Photographic Society of Japan in 2011. The Last Cosmology was originally published in parts in the 1980s.